https:\/\/kyonissho.com\/kyos-blog\/blog\/2025\/01\/12\/no-2872-fastest-literature-space-time_coordinates-the-common-denominator-of-music-and-mathematics\/<\/a><\/p>\n\n\n\n
Update:<\/p>\n\n\n\n
from<\/p>\n\n\n\n Fig.2: to<\/p>\n\n\n\n Fig.2: (C) Copyright 2025 Kiyom Nishio (Kyo Nissho). All rights reserved.<\/p>\n","protected":false},"excerpt":{"rendered":" Article: No.2872. {fastest literature -> space-time_coordinates, the common denominator of music and mathematics}.https:\/\/kyonissho.com\/kyos-blog\/blog\/2025\/01\/12\/no-2872-fastest-literature-space-time_coordinates-the-common-denominator-of-music-and-mathematics\/ Update: from Fig.2:Any sounds can be selected for each rhythm of a, b and c, although the rhythms should keep the figure in your cognition. This makes [0, 0] appear.{a, b, c} with fingers and some melody with remaining fingers. Or a […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"pagelayer_contact_templates":[],"_pagelayer_content":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[9],"tags":[],"class_list":["post-8016","post","type-post","status-publish","format-standard","hentry","category-update-information"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/8016","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/comments?post=8016"}],"version-history":[{"count":1,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/8016\/revisions"}],"predecessor-version":[{"id":8019,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/8016\/revisions\/8019"}],"wp:attachment":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/media?parent=8016"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/categories?post=8016"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/tags?post=8016"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2025\/01\/DCIM1806.jpg?resize=580%2C773&ssl=1\")
Any sounds can be selected for each rhythm of a, b and c, although the rhythms should keep the figure in your cognition. This makes [0, 0] appear.
{a, b, c} with fingers and some melody with remaining fingers. Or a looper is useful.<\/p>\n\n\n\n![\"\"](\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2025\/01\/DCIM1808.jpg?resize=580%2C773&ssl=1\")
Any sounds can be selected for each rhythm of a, b and c, although the rhythms should keep the figure in your cognition. This makes [0, 0] appear.
{a, b, c} with fingers and some melody with remaining fingers. Or a looper is useful.
* 1 isn’t a prime number, 1\/1 = 1 of inclination of inclination.
* 3 is a prime number, 3\/3 = 0\/3 = (3^1 + 0)\/3 = (00)\/0 = 1 of inclination in\u00a0F<\/strong>3.
* e.g. 0\/5 = 0\/0 because 5 = 0 in\u00a0F<\/strong>5, (5^2 + 0)\/5 = ((5 on ^2) + (0 on ^1) + (0 on ^0))\/0 = (000)\/0 = 1 of inclination.<\/p>\n\n\n\n