{"id":6791,"date":"2024-08-14T03:23:54","date_gmt":"2024-08-14T03:23:54","guid":{"rendered":"https:\/\/kyonissho.com\/kyos-blog\/?p=6791"},"modified":"2024-08-14T12:49:49","modified_gmt":"2024-08-14T12:49:49","slug":"no-2516-a-simulation-to-unknown-future","status":"publish","type":"post","link":"https:\/\/kyonissho.com\/kyos-blog\/blog\/2024\/08\/14\/no-2516-a-simulation-to-unknown-future\/","title":{"rendered":"No.2516, a Simulation to Unknown Future."},"content":{"rendered":"\n

While I went to B6F East 14 – North 19 (20 – 1) in the maze of Wizardry scenario 1, and I interpreted my experience into the twelve strings (the first scheme method), as simulation to unknown future.<\/p>\n\n\n\n

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Fig.1.<\/figcaption><\/figure>\n\n\n\n

I put my virtual space (black square) onto 3 (onto set_1 – 3) of the twelve strings’ item (onto set_1 – 3).
I regarded dice as crisis’ number, it meant damage onto 7 (onto 2-3) as principle (reason concept of matter), the recovery was found on 10 (on set_3 – 2).<\/p>\n\n\n\n

The recovery will be located on two of the green square (outer reflexive from matter to form) and the red square (0 on outer reflexive; existence reaction).<\/p>\n\n\n\n

The five elements are 1. military, 2. science, 3. economy, 4. industry, 5. culture, the progress was toward military (1).<\/p>\n\n\n\n

The draft meaning is some objects exist to realization to conquer misunderstanding and misperception in the made maze.<\/p>\n\n\n\n

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Fig.2.0.<\/figcaption><\/figure>\n\n\n\n
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Fig.2.1. fig.2.0’s left page.<\/figcaption><\/figure>\n\n\n\n
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Fig.2.2. fig.2.0’s right page.<\/figcaption><\/figure>\n\n\n\n

(C) Copyright 2024 Kiyom Nishio (Kyo Nissho). All rights reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"

While I went to B6F East 14 – North 19 (20 – 1) in the maze of Wizardry scenario 1, and I interpreted my experience into the twelve strings (the first scheme method), as simulation to unknown future. I put my virtual space (black square) onto 3 (onto set_1 – 3) of the twelve strings’ […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"pagelayer_contact_templates":[],"_pagelayer_content":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[3],"tags":[],"class_list":["post-6791","post","type-post","status-publish","format-standard","hentry","category-power-structured-to-revive"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/6791","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/comments?post=6791"}],"version-history":[{"count":4,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/6791\/revisions"}],"predecessor-version":[{"id":6817,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/6791\/revisions\/6817"}],"wp:attachment":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/media?parent=6791"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/categories?post=6791"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/tags?post=6791"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}