{"id":5278,"date":"2024-01-28T03:19:27","date_gmt":"2024-01-28T03:19:27","guid":{"rendered":"https:\/\/kyonissho.com\/kyos-blog\/?p=5278"},"modified":"2024-01-29T22:44:39","modified_gmt":"2024-01-29T22:44:39","slug":"the-glass-bead-game-and-my-study-genesis-18","status":"publish","type":"post","link":"https:\/\/kyonissho.com\/kyos-blog\/blog\/2024\/01\/28\/the-glass-bead-game-and-my-study-genesis-18\/","title":{"rendered":"The Glass Bead Game, and My Study for Genesis 18."},"content":{"rendered":"\n
\"\"
fig.1.0. from my study for the Bible.<\/figcaption><\/figure>\n\n\n\n

VA-YERA’
The Lord appeared to him by the terebinths of Mamre; he was sitting at the entrance of the tent as the day grew hot.<\/p>\n\n\n\n

2
Looking up, he saw three men standing near him. As soon as he saw them, he ran from the entrance of the tent to greet them and, bowing to the ground,<\/p>\n\n\n\n

9
They soid to him, “Where is your wife Sarah?” And he replied, “There, in the tent.”<\/p>\n\n\n\n

19
For I have singled him out, that he may instruct his children and his posterity to keep the way of the LORD by doin what is just and right, in order that the LORD may bring about for Abraham what He has promised him.”<\/p>\n\n\n\n

20
Then the LORD said, “The outrage of Sodom and Gomorrah is so great, and their sin so grave!<\/p>\n\n\n\n

21
I will go down to see whether they have acted altogether according to the outcry that has reached Me; if not, I will take note.”<\/p>\n\n\n\n

22
The men went on from there to Sodom, while Abraham remained standing before the LORD.<\/p>\n\n\n\n

23
Abraham came forward and said, “Will You sweep away the innocent alog with the guilty?<\/p>\n\n\n\n

-Jewish Publication Society-<\/p>\n\n\n\n

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fig.1.1. from my study for the Bible.<\/figcaption><\/figure>\n\n\n\n

26
And the LORD answered, “If I find within the city of Sodom fifty innocent ones, I will forgive the whole place for their sake.”<\/p>\n\n\n\n

27
Abraham spoke up, saying, “Here I venture to speak to my Lord, I who am but dust and ashes:<\/p>\n\n\n\n

28
What if the fifty innocent should lack five? Will You destroy the whole city for want of the five?” And He answered, “I will not destroy if I find fortyfive there.”<\/p>\n\n\n\n

29
But he spoke to Him again, and said, “What if forty should be found there?” And He answered, “I will not do it, for the sake of the forty.”<\/p>\n\n\n\n

30
And he said, “Let not my Lord be angry if I go on: What if thirty should be found there?” And He answered, “I will not do it if I find thirty there.”<\/p>\n\n\n\n

31
And he said, “I venture again to speak to my Lord: What if twenty should be found there?” And He answered, “I will not destroy, for the sake of the twenty.”<\/p>\n\n\n\n

32
And he said, “Let not my Lord be angry if I speak but this last time: What iften should be found there?” And He answered, “I will not destroy, for the sake of the ten.”<\/p>\n\n\n\n

-Jewish Publication Society-<\/p>\n\n\n\n

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fig.2.0. how non-ordinal number applied to the Genesis language.<\/figcaption><\/figure>\n\n\n\n
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fig.2.1. how the glass bead is applied to non-ordinal space.<\/figcaption><\/figure>\n\n\n\n

fig.2.0 and fig.2.1:
This is the disintegration method which is included to the third scheme method, in order to leap far.<\/p>\n\n\n\n

Below is the reference for [0, 0], [0, i0], [i0, i0]; life.
Link:
https:\/\/kyonissho.com\/kyos-blog\/blog\/2024\/01\/09\/studying-quantum-biology-2-2\/<\/a><\/p>\n\n\n\n

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fig.3.0. fig.6.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.3.1. fig.7.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.3.2. fig.8.0. at studying Minkowski’s Space-Time.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.3.3. fig.8.1. T = T^d.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.3.4. fig.8.2.<\/figcaption><\/figure>\n\n\n\n

fig.3.3 and fig.3.4:
I guess Taoist and Buddhist love this with different path.<\/p>\n\n\n\n

Orthodox music uses 2\u21e6 onto E of quantum, instead of 1\u21e6 in fig.3.3 T = T^d, in order to experience Cosmos.
Here as \u221a3\u21e6 instead of 1\u21e6 of Cosmos, and with an electric Violin, the frequencies are below fig.3.5. You may use any color tape for the aiming tones.<\/p>\n\n\n\n

\"\"
fig.3.5. fig.8.3. with a Violin, the frequencies of base-\u221a3.<\/figcaption><\/figure>\n\n\n\n

An electric violin for beginner is about $150~.<\/p>\n\n\n\n

\"\"
fig.3.6. fig.8.4. MultiTone Generator PRO for iPhone.<\/figcaption><\/figure>\n\n\n\n

After Hermann Hesse had written the novel Glass Bead Game had written, Hesse was triying to realize the Glass Bead Game with his Violin and paintings, naturally it\/he was very brave (“it was he very brave …” in German) although he didn’t reach the realization.<\/p>\n\n\n\n

You may select any picture to assist to hold an M field in fig.3.3 T = T^d. For example, …<\/p>\n\n\n\n

\"\"
fig.3.7. fig.8.5. Horizon, Zenith and Atmosphere (1925) by Paul Klee<\/figcaption><\/figure>\n\n\n\n

… or you’ll paint or draw as following your imagination, Lord.<\/p>\n\n\n\n

As reading the Bible, often the number 50 appears, e.g. 5 good men\/women in 50 people of Sodom before the destruction. And there are 50 Magister Ludi (master of games) exist in the novel Glass Bead Game. Magister Ludi is 1, but 50, it is …<\/p>\n\n\n\n

\"\"
fig.3.8. fig.9.0. the combination of base-5 and base-10.<\/figcaption><\/figure>\n\n\n\n
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fig.3.9. fig.9.1. the combination of base-5 and base-10, base-2 and 12 steps.<\/figcaption><\/figure>\n\n\n\n

With base-x thinking, where and how 0 exists is x = 0 or x = 10, because 0 wasn’t founded before about A.D. 1. This upper dimension has been shown also in the chapter of Noah in another number. It is what any higher dimension means to avoid a destruction, Noah floated in the higher dimension of Bible over the destruction.<\/p>\n\n\n\n

fig.3.9:
n\/m of base-5 includes {1, 2, 3, 4, 5} as n and m = 5, the F<\/strong>5 includes {0, 1, 2, 3, 4} as n and m.
n\/m of base-10 includes {1, 2, 3, 4, 5, 6, 7, 8, 9, 10} as n and m = 10, the F<\/strong>10 includes {0, 1, 2, 3, 4, 5, 6, 7, 8, 9} as [F<\/strong>7, F<\/strong>7] = 3 and [0, 0] = 3 as the Galois’ imaginary number.
n\/m of base-2 includes {1, 2} as n and m = 2, the F<\/strong>2 includes {0, 1} and the prime number includes the Galois’ imaginary number as 1 from the number itself, 2.
n\/m of 12 is a step of 2^(n\/m), n includes {1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12} and m = 12, it is placed on the power, not on the prime number 2, and can be used for F<\/strong>12 but not includes 0.<\/p>\n\n\n\n

Like fig.3.8 and fig.3.9,
there are infinite variations of n\/m combination.
As dice, m is a fixed number, e.g. 5, but in F<\/strong>p m are the numbers as same variation with n.
And there are [0, 0], [0, i0], and [i0, i0] now, as imaginary number space, to be connected to e.g. -gravity.
Then n\u21e6 and m\u21e6 being compared with a Hebrew consonant\u21e6 or with \u266a of the David instrument (the base-x instrument), it will be awakening; the creative vision’s source.<\/p>\n\n\n\n

See fig.3.5 and fig.3.7 again, for what the Glass Bead Game as cosmic language was waited with music in the novel.<\/p>\n\n\n\n

In case of fig.3.8 and fig.3.9, it is {5, 50}; higher dimension.<\/p>\n\n\n\n

(C) Copyright 2024 Kyo Nissho (Kiyom Nishio). All rights reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"

VA-YERA’The Lord appeared to him by the terebinths of Mamre; he was sitting at the entrance of the tent as the day grew hot. 2Looking up, he saw three men standing near him. As soon as he saw them, he ran from the entrance of the tent to greet them and, bowing to the ground, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"pagelayer_contact_templates":[],"_pagelayer_content":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6,4,8,5],"tags":[],"class_list":["post-5278","post","type-post","status-publish","format-standard","hentry","category-hebrew","category-record","category-society","category-study"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/5278","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/comments?post=5278"}],"version-history":[{"count":5,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/5278\/revisions"}],"predecessor-version":[{"id":5303,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/5278\/revisions\/5303"}],"wp:attachment":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/media?parent=5278"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/categories?post=5278"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/tags?post=5278"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}