{"id":4615,"date":"2023-10-18T12:21:15","date_gmt":"2023-10-18T12:21:15","guid":{"rendered":"https:\/\/kyonissho.com\/kyos-blog\/?p=4615"},"modified":"2023-10-18T12:25:43","modified_gmt":"2023-10-18T12:25:43","slug":"practicing-music-fingering-technique","status":"publish","type":"post","link":"https:\/\/kyonissho.com\/kyos-blog\/blog\/2023\/10\/18\/practicing-music-fingering-technique\/","title":{"rendered":"Practicing Music; Fingering Technique"},"content":{"rendered":"\n

I’m practicing music for the Abraham language, and the instrument in future.<\/p>\n\n\n\n

It is what pianist can do, but no-look to play keyboard is difficult for beginner, to me too. Therefore I considered a fingering technique separate with playing music.<\/p>\n\n\n\n

I played like fig.1. When I looked a score, then I failed to play.<\/p>\n\n\n\n

\"\"
fig.1.<\/figcaption><\/figure>\n\n\n\n

I placed my finger 1 inch (2.5 cm) deeper, then fingers touched the black keys, I became to understand where my fingers on a keyboard were from the sense.<\/p>\n\n\n\n

\"\"
fig.2.<\/figcaption><\/figure>\n\n\n\n

I’m looking a score without looking a musical keyboard.<\/p>\n\n\n\n

(x)
I constructed music in my brain before playing, but now the sensations come from my fingers to be following and being constructed in music itself.<\/p>\n\n\n\n

(x) will be connected to next step of the Abraham language, and the instrument in future, the David instrument, I’m closing to it.<\/p>\n\n\n\n

(C) Copyright 2023 Kyo Nissho (Kiyom Nishio). All rights reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"

I’m practicing music for the Abraham language, and the instrument in future. It is what pianist can do, but no-look to play keyboard is difficult for beginner, to me too. Therefore I considered a fingering technique separate with playing music. I played like fig.1. When I looked a score, then I failed to play. I […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"pagelayer_contact_templates":[],"_pagelayer_content":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6,4,5],"tags":[],"class_list":["post-4615","post","type-post","status-publish","format-standard","hentry","category-hebrew","category-record","category-study"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/4615","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/comments?post=4615"}],"version-history":[{"count":2,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/4615\/revisions"}],"predecessor-version":[{"id":4619,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/4615\/revisions\/4619"}],"wp:attachment":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/media?parent=4615"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/categories?post=4615"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/tags?post=4615"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}