{"id":3870,"date":"2023-07-27T03:32:30","date_gmt":"2023-07-27T03:32:30","guid":{"rendered":"https:\/\/kyonissho.com\/kyos-blog\/?p=3870"},"modified":"2023-07-27T03:32:30","modified_gmt":"2023-07-27T03:32:30","slug":"july-27th-update","status":"publish","type":"post","link":"https:\/\/kyonissho.com\/kyos-blog\/blog\/2023\/07\/27\/july-27th-update\/","title":{"rendered":"July 27th update"},"content":{"rendered":"\n<p>Article:<\/p>\n\n\n\n<p>The new music theory, as music and mathematics are common denominator, of the novel Glass Bead Game (2)<\/p>\n\n\n\n<p>Update:<\/p>\n\n\n\n<p>(1)<\/p>\n\n\n\n<p>But some synthesizers generate a frequency middle of two or more keys, e.g. [C1, E1] is near D1.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1136\" height=\"640\" src=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/base-1.png?resize=580%2C327&amp;ssl=1\" alt=\"\" class=\"wp-image-3864\" srcset=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/base-1.png?w=1136&amp;ssl=1 1136w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/base-1.png?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/base-1.png?resize=1024%2C577&amp;ssl=1 1024w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/base-1.png?resize=768%2C433&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><figcaption class=\"wp-element-caption\">fig.11. generated by animoog for iPhone.<\/figcaption><\/figure>\n\n\n\n<p>Then I try to play Fuga canonica in Epidiapreate of Bach with my right hand for the near base-5 and my left hand for the base-2. See fig.4.<br>If it is a keyborad of base-2 for the left hand, and another keyboard of base-[ , ] of fig.11 type for the right hand, fig.6.9&#8217;s approach is present one, but very difficult to realize.<\/p>\n\n\n\n<p>(2)<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/image-7.png?resize=580%2C435&amp;ssl=1\" alt=\"\" class=\"wp-image-3868\" srcset=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/image-7.png?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/image-7.png?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/image-7.png?resize=768%2C576&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><figcaption class=\"wp-element-caption\">fig.7.4. with the algebra of reason intuition (with beads), in a slow game experience. the game is Myst Riven.<\/figcaption><\/figure>\n\n\n\n<p>fig.7.4:<br>any experience for closing to all the denomination of music and mathematics.<\/p>\n\n\n\n<p>URL:<\/p>\n\n\n\n<p><a href=\"https:\/\/kyonissho.com\/kyos-blog\/blog\/2023\/07\/17\/the-new-music-theory-as-music-and-mathematics-are-common-denominator-of-the-novel-glass-bead-game-2\/\">The new music theory, as music and mathematics are common denominator, of the novel Glass Bead Game (2) \u2013 Kyo\u2019s Blog (kyonissho.com)<\/a><\/p>\n\n\n\n<p>(C) Copyright 2023 Kyo Nissho (Kiyom Nishio). All rights reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Article: The new music theory, as music and mathematics are common denominator, of the novel Glass Bead Game (2) Update: (1) But some synthesizers generate a frequency middle of two or more keys, e.g. [C1, E1] is near D1. Then I try to play Fuga canonica in Epidiapreate of Bach with my right hand for [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"pagelayer_contact_templates":[],"_pagelayer_content":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[9],"tags":[],"class_list":["post-3870","post","type-post","status-publish","format-standard","hentry","category-update-information"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/3870","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/comments?post=3870"}],"version-history":[{"count":1,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/3870\/revisions"}],"predecessor-version":[{"id":3871,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/3870\/revisions\/3871"}],"wp:attachment":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/media?parent=3870"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/categories?post=3870"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/tags?post=3870"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}