{"id":3852,"date":"2023-07-27T02:08:25","date_gmt":"2023-07-27T02:08:25","guid":{"rendered":"https:\/\/kyonissho.com\/kyos-blog\/?p=3852"},"modified":"2023-07-29T08:09:13","modified_gmt":"2023-07-29T08:09:13","slug":"in-dec-13-1995-a-plan-to-the-realization-the-realization-of-the-glass-bead-game-i-of-my-notarized-document","status":"publish","type":"post","link":"https:\/\/kyonissho.com\/kyos-blog\/blog\/2023\/07\/27\/in-dec-13-1995-a-plan-to-the-realization-the-realization-of-the-glass-bead-game-i-of-my-notarized-document\/","title":{"rendered":"In Dec. 13, 1995, a plan to the realization, “the realization of the glass bead game I” of my notarized document."},"content":{"rendered":"\n

My notarized document below had been described on Dec. 13, 1995, a plan to the realization. “\u30ac\u30e9\u30b9\u7389\u904a\u622f\u306e\u5b9f\u73fe\uff29” is “the realization of the glass bead game I”.
I met my teacher Ayao Ide on Dec. 13, 1987, this document was described just after 8 years.
The first scheme method was realizaed in the next year.<\/p>\n\n\n\n

\"\"
fig.1.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.2.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.3.<\/figcaption><\/figure>\n\n\n\n

fig.3:
“2. Naika” is “2. \u5185\u5bb6 (in house)”, it means “caused in Taoism”.
“5. Gogyou” is “\u4e94\u884c (five lines)” of Taoism.<\/p>\n\n\n\n

\"\"
fig.4.<\/figcaption><\/figure>\n\n\n\n

fig.4:
“(5) Die Kausalit\u00e4t, die Gott ist ((5) The causality which God ist)” was the most difficult threshold.
If a thinking causes phenomenon itself immediately, it is God. It’s impossible by humankind (this explanation was the first document of “the art of reason I” which was stolen).
Then for what the perfect language is, any reason concept is realized to any inside and any outside at same time, and by any inner reflexive and any outer reflexive. Moreover, form \u21d4 matter (the first set, and the second set), at form \u21d4 at matter conversion (the third set).<\/p>\n\n\n\n

Ref.:<\/p>\n\n\n\n

\"\"
fig.4.1. {{the first scheme method\u2019s replace-ability\/vibration-relation}set \u21c4 {existence reaction; 1st_reflexive \u2192 nth_reflexive}set} | set; \u221e<\/figcaption><\/figure>\n\n\n\n

The link:
The zero of life\/existence dimension of any reason concept
The zero of life\/existence dimension of any reason concept \u2013 Kyo\u2019s Blog (kyonissho.com)<\/a><\/p>\n\n\n\n

\"\"
fig.5.<\/figcaption><\/figure>\n\n\n\n

fig.5:
(9) “Das Musikinstrument (the music instrument)”, “Die Einf\u00fchrung der Regel (the introduction of the rule)”, “Die Notenschrift (the notes writing).”<\/p>\n\n\n\n

Also since the realization of the first scheme method (~ 1996), I continued the study 27 years (1996 ~ 2023) further.<\/p>\n\n\n\n

\"\"
fig.6. Genesis 10, Verse 23. vav\u21e6secular; musical_instrument; mountain.<\/figcaption><\/figure>\n\n\n\n

fig.6:
I’m analyzing the Hebrew like below for example.<\/p>\n\n\n\n

\"\"
fig.7.0.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.7.1.<\/figcaption><\/figure>\n\n\n\n

fig.7.0, 7.1:
I use \u21e6 to realize the reflexive; a holy consonant.<\/p>\n\n\n\n

The description in the Hebrew Bible is; very, very incredible space, and holy.<\/p>\n\n\n\n

Now we have the first and generated first scheme method of the perfect language.<\/p>\n\n\n\n

And my study and practice included results of below articles.<\/p>\n\n\n\n

The link:
The new music theory, as music and mathematics are common denominator, of the novel Glass Bead Game.
The new music theory, as music and mathematics are common denominator, of the novel Glass Bead Game. \u2013 Kyo\u2019s Blog (kyonissho.com)<\/a>
The new music theory, as music and mathematics are common denominator, of the novel Glass Bead Game.
The new music theory, as music and mathematics are common denominator, of the novel Glass Bead Game (2) \u2013 Kyo\u2019s Blog (kyonissho.com)<\/a>
Paintings beyond Time, Poly-symphony, now no limitation \u2283 {number, space, category, \u2026}synthesis_set.
Paintings beyond Time, Poly-symphony, now no limitation \u2283 {number, space, category, \u2026}synthesis_set. \u2013 Kyo\u2019s Blog (kyonissho.com)<\/a>
Painting; magical to purpose, [time (pl.); harmonically combined]interval. Materialized brave referring the most attempts at magic remains.
Painting; magical to purpose, [time (pl.); harmonically combined]interval. Materialized brave referring the most attempts at magic remains. \u2013 Kyo\u2019s Blog (kyonissho.com)<\/a><\/p>\n\n\n\n

(C) Copyright 2023 Kyo Nissho (Kiyom Nishio). All rights reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"

My notarized document below had been described on Dec. 13, 1995, a plan to the realization. “\u30ac\u30e9\u30b9\u7389\u904a\u622f\u306e\u5b9f\u73fe\uff29” is “the realization of the glass bead game I”.I met my teacher Ayao Ide on Dec. 13, 1987, this document was described just after 8 years.The first scheme method was realizaed in the next year. fig.3:“2. Naika” is […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"pagelayer_contact_templates":[],"_pagelayer_content":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[4,8],"tags":[],"class_list":["post-3852","post","type-post","status-publish","format-standard","hentry","category-record","category-society"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/3852","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/comments?post=3852"}],"version-history":[{"count":5,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/3852\/revisions"}],"predecessor-version":[{"id":3885,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/3852\/revisions\/3885"}],"wp:attachment":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/media?parent=3852"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/categories?post=3852"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/tags?post=3852"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}