{"id":3847,"date":"2023-07-25T02:07:28","date_gmt":"2023-07-25T02:07:28","guid":{"rendered":"https:\/\/kyonissho.com\/kyos-blog\/?p=3847"},"modified":"2023-07-25T02:16:23","modified_gmt":"2023-07-25T02:16:23","slug":"july-25th-update","status":"publish","type":"post","link":"https:\/\/kyonissho.com\/kyos-blog\/blog\/2023\/07\/25\/july-25th-update\/","title":{"rendered":"July 25th update"},"content":{"rendered":"\n<p>Article:<\/p>\n\n\n\n<p>The new music theory, as music and mathematics are common denominator, of the novel Glass Bead Game (2)<\/p>\n\n\n\n<p>Update:<\/p>\n\n\n\n<p>There is no base-x instrument yet, therefore I calculated some base-5 frequencies and have marked on a 88-keys keyboard.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"2016\" height=\"1512\" src=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/base-x-3.jpg?resize=580%2C435&amp;ssl=1\" alt=\"\" class=\"wp-image-3843\" srcset=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/base-x-3.jpg?w=2016&amp;ssl=1 2016w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/base-x-3.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/base-x-3.jpg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/base-x-3.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/base-x-3.jpg?resize=1536%2C1152&amp;ssl=1 1536w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/base-x-3.jpg?resize=1200%2C900&amp;ssl=1 1200w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/base-x-3.jpg?resize=1980%2C1485&amp;ssl=1 1980w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/base-x-3.jpg?w=1740&amp;ssl=1 1740w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><figcaption class=\"wp-element-caption\">fig.6.9.<\/figcaption><\/figure>\n\n\n\n<p>The base-5 C5 shift on the circle of fifth appears near a base-2 E5. At the playing, I regarded an octave between the base-5 C4 and the base-5 C5 (then the 27 keys make the octave), between the base-2 C4 and the base-2 C5 at the same time.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/image-2.png?resize=580%2C435&amp;ssl=1\" alt=\"\" class=\"wp-image-3845\" srcset=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/image-2.png?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/image-2.png?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/image-2.png?resize=768%2C576&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><figcaption class=\"wp-element-caption\">fig.10.<\/figcaption><\/figure>\n\n\n\n<p>Yet now, my instrument doesn&#8217;t have the frequencies of base-5, an analog synthesizer has a frequency width as including the Galois&#8217; imaginary number.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1136\" height=\"640\" src=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/base-x-4.png?resize=580%2C327&amp;ssl=1\" alt=\"\" class=\"wp-image-3844\" srcset=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/base-x-4.png?w=1136&amp;ssl=1 1136w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/base-x-4.png?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/base-x-4.png?resize=1024%2C577&amp;ssl=1 1024w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/base-x-4.png?resize=768%2C433&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><figcaption class=\"wp-element-caption\">fig.6.11. generated by animoog for iPhone.<\/figcaption><\/figure>\n\n\n\n<p>Then I try to play Fuga canonica in Epidiapreate of Bach with my right hand for the near base-5 and my left hand for the base-2. See fig.4.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/sound-F5-1.jpg?resize=580%2C773&amp;ssl=1\" alt=\"\" class=\"wp-image-3741\"\/><figcaption class=\"wp-element-caption\">fig.7.0. a paint in swaying lights of candle as singing.<\/figcaption><\/figure>\n\n\n\n<p>fig.7.0:<br>Even just before the 20th century, the literacy rate was less than 50% even in developed countries at the time.<br>Furthermore, the literacy rate of women before the second industrial revolution with the machines was lower than men.<br>I think it is worth to understand what this picture influenced the times.<\/p>\n\n\n\n<p>URL:<\/p>\n\n\n\n<p><a href=\"https:\/\/kyonissho.com\/kyos-blog\/blog\/2023\/07\/17\/the-new-music-theory-as-music-and-mathematics-are-common-denominator-of-the-novel-glass-bead-game-2\/\">The new music theory, as music and mathematics are common denominator, of the novel Glass Bead Game (2) \u2013 Kyo\u2019s Blog (kyonissho.com)<\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>(C) Copyright 2023 Kyo Nissho (Kiyom Nishio). All rights reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Article: The new music theory, as music and mathematics are common denominator, of the novel Glass Bead Game (2) Update: There is no base-x instrument yet, therefore I calculated some base-5 frequencies and have marked on a 88-keys keyboard. The base-5 C5 shift on the circle of fifth appears near a base-2 E5. At the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"pagelayer_contact_templates":[],"_pagelayer_content":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[9],"tags":[],"class_list":["post-3847","post","type-post","status-publish","format-standard","hentry","category-update-information"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/3847","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/comments?post=3847"}],"version-history":[{"count":2,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/3847\/revisions"}],"predecessor-version":[{"id":3850,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/3847\/revisions\/3850"}],"wp:attachment":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/media?parent=3847"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/categories?post=3847"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/tags?post=3847"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}