{"id":3800,"date":"2023-07-22T23:28:47","date_gmt":"2023-07-22T23:28:47","guid":{"rendered":"https:\/\/kyonissho.com\/kyos-blog\/?p=3800"},"modified":"2023-07-23T00:41:34","modified_gmt":"2023-07-23T00:41:34","slug":"july-23rd-update","status":"publish","type":"post","link":"https:\/\/kyonissho.com\/kyos-blog\/blog\/2023\/07\/22\/july-23rd-update\/","title":{"rendered":"July 23rd update"},"content":{"rendered":"\n<p>Article:<\/p>\n\n\n\n<p>The new music theory, as music and mathematics are common denominator, of the novel Glass Bead Game (2)<\/p>\n\n\n\n<p>Update:<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"773\" src=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/base-x-instrument-1.jpg?resize=580%2C773&#038;ssl=1\" alt=\"\" class=\"wp-image-3802\" srcset=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/base-x-instrument-1.jpg?resize=768%2C1024&amp;ssl=1 768w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/base-x-instrument-1.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/base-x-instrument-1.jpg?resize=1152%2C1536&amp;ssl=1 1152w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/base-x-instrument-1.jpg?resize=1200%2C1600&amp;ssl=1 1200w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/07\/base-x-instrument-1.jpg?w=1512&amp;ssl=1 1512w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><figcaption class=\"wp-element-caption\">fig.6.4. base-x instrument.<\/figcaption><\/figure>\n\n\n\n<p>fig.6.4:<br>(1) n\u220b0: f \u00d7 7^(0\/12) = f\u00d71 = f, this isn&#8217;t an exponent acceleration, e.g. C1 = C2 = &#8230; = Cn in this case.<br>But p = 0 of\u00a0<strong>F<\/strong>p, C1 = C2 = &#8230; = Cn \u2190 the complement, i.e. {0, 10, 100, &#8230;. , \u221e} | 1 \u220b complement.<br>(2) Instead of n = 0, e.g. C4 \u2252 261.1Hz, B3 \u2252 246.9, B3 \u00d7 2^(1\/12) \u2252 261.1Hz \u2252 C4, here is an exponent acceleration of equal temperament.<br>From 2^x to p^x is in\u00a0<strong>F<\/strong>p,\u00a0<strong>F<\/strong>2 includes Galois imaginary number,\u00a0<strong>F<\/strong>p+s (s is a number) is requirement for [0, 0]interval of music (see fig.1, 2, and 3).<\/p>\n\n\n\n<p>URL:<\/p>\n\n\n\n<p><a href=\"https:\/\/kyonissho.com\/kyos-blog\/blog\/2023\/07\/17\/the-new-music-theory-as-music-and-mathematics-are-common-denominator-of-the-novel-glass-bead-game-2\/\">The new music theory, as music and mathematics are common denominator, of the novel Glass Bead Game (2) \u2013 Kyo\u2019s Blog (kyonissho.com)<\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>(C) Copyright 2023 Kyo Nissho (Kiyom Nishio). All rights reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Article: The new music theory, as music and mathematics are common denominator, of the novel Glass Bead Game (2) Update: fig.6.4:(1) n\u220b0: f \u00d7 7^(0\/12) = f\u00d71 = f, this isn&#8217;t an exponent acceleration, e.g. C1 = C2 = &#8230; = Cn in this case.But p = 0 of\u00a0Fp, C1 = C2 = &#8230; = [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"pagelayer_contact_templates":[],"_pagelayer_content":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[9],"tags":[],"class_list":["post-3800","post","type-post","status-publish","format-standard","hentry","category-update-information"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/3800","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/comments?post=3800"}],"version-history":[{"count":3,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/3800\/revisions"}],"predecessor-version":[{"id":3809,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/3800\/revisions\/3809"}],"wp:attachment":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/media?parent=3800"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/categories?post=3800"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/tags?post=3800"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}