{"id":3592,"date":"2023-07-03T00:14:54","date_gmt":"2023-07-03T00:14:54","guid":{"rendered":"https:\/\/kyonissho.com\/kyos-blog\/?p=3592"},"modified":"2023-07-03T00:14:54","modified_gmt":"2023-07-03T00:14:54","slug":"july-3rd-update","status":"publish","type":"post","link":"https:\/\/kyonissho.com\/kyos-blog\/blog\/2023\/07\/03\/july-3rd-update\/","title":{"rendered":"July 3rd update"},"content":{"rendered":"\n

Article:<\/p>\n\n\n\n

Paintings beyond Time, Poly-symphony, now no limitation \u2283 {number, space, category, \u2026}synthesis_set.<\/p>\n\n\n\n

Update:<\/p>\n\n\n\n

\"\"
fig.4.0. the beads definition (1)<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.4.1. the beads definition (2)<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.5.0. the original first scheme method, no.2439 I and II.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.5.1. a draft for no.2439 I and II.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.5.2. the beads for no.2439 I.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.5.3. the beads for no.2439 II.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.6.0. the initial second scheme method, no.2439 I and II.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.6.1.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.6.2.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.6.3.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.7.0.<\/figcaption><\/figure>\n\n\n\n

I’ll continue to descript this article.<\/p>\n\n\n\n

URL:<\/p>\n\n\n\n

Paintings beyond Time, Poly-symphony, now no limitation \u2283 {number, space, category, \u2026}synthesis_set. \u2013 Kyo\u2019s Blog (kyonissho.com)<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

(C) Copyright 2023 Kyo Nissho (Kiyom Nishio). All rights reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"

Article: Paintings beyond Time, Poly-symphony, now no limitation \u2283 {number, space, category, \u2026}synthesis_set. Update: I’ll continue to descript this article. URL: Paintings beyond Time, Poly-symphony, now no limitation \u2283 {number, space, category, \u2026}synthesis_set. \u2013 Kyo\u2019s Blog (kyonissho.com) (C) Copyright 2023 Kyo Nissho (Kiyom Nishio). All rights reserved.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"pagelayer_contact_templates":[],"_pagelayer_content":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[9],"tags":[],"class_list":["post-3592","post","type-post","status-publish","format-standard","hentry","category-update-information"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/3592","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/comments?post=3592"}],"version-history":[{"count":1,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/3592\/revisions"}],"predecessor-version":[{"id":3593,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/3592\/revisions\/3593"}],"wp:attachment":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/media?parent=3592"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/categories?post=3592"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/tags?post=3592"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}