{"id":3571,"date":"2023-07-02T16:06:15","date_gmt":"2023-07-02T16:06:15","guid":{"rendered":"https:\/\/kyonissho.com\/kyos-blog\/?p=3571"},"modified":"2023-09-02T13:40:35","modified_gmt":"2023-09-02T13:40:35","slug":"paintings-beyond-time-poly-symphony-now-no-limitation-%e2%88%8b-number-space-category-synthesis_set","status":"publish","type":"post","link":"https:\/\/kyonissho.com\/kyos-blog\/blog\/2023\/07\/02\/paintings-beyond-time-poly-symphony-now-no-limitation-%e2%88%8b-number-space-category-synthesis_set\/","title":{"rendered":"No.2439. Paintings beyond Time, Poly-symphony, now no limitation \u2283 {number, space, category, …}synthesis_set."},"content":{"rendered":"\n

I. The lives, the context.<\/p>\n\n\n\n

\"\"
fig.1. Scuola di Atene<\/figcaption><\/figure>\n\n\n\n

fig.1:
Platon and Aristoteles are walking.<\/p>\n\n\n\n

\"\"
fig.2. Nuptiae in Cana factae<\/figcaption><\/figure>\n\n\n\n

fig.2:
The Wedding at Cana: Water Turned into Wine.<\/p>\n\n\n\n

Music is ordinally composed in time, although different way is tried in poly-symphony if likened, for example, I wrote about Brahms and Sch\u00f6nberg, also about Bill Evans in Jazz.
But paintings composed arisings as art beyond time from the beginning.<\/p>\n\n\n\n

\"\"
fig.3. Ref. HERMANN HESSE GEDICHTE DES MALERS<\/figcaption><\/figure>\n\n\n\n

fig.3:
Hesse’s painting and poem. He tried the reflexives in the poem to change verbs’ time ability to any synthesis. At same time, this is one of most beautiful poem. Hesse tried the Glass Bead Game with violin, paintings, and poem until his life end, but yet the categories didn’t link e.g. to physics.
All the ways are far, and now it is no limitation \u2283 {number, space, category, …}synthesis_set.<\/p>\n\n\n\n

II. The synthesis; no2439.<\/p>\n\n\n\n

\"\"
fig.4.0. the beads definition (1)<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.4.1. the beads definition (2)<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.5.0. the original first scheme method, no.2439 I and II.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.5.1. a draft for no.2439 I and II.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.5.2. the beads for no.2439 I.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.5.3. the beads for no.2439 II.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.6.0. the initial second scheme method, no.2439 I and II.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.6.1.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.6.2.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.6.3.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.7.0.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.7.1. fig.7.0 has been fulfilled.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.7.2. the newly generated first scheme method; fig.6.0, 6.1, and 6.2.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.7.3. \u3007[-\u221e, \u221e] \u22a5 \u3007[-\u221e, \u221e], [v, w] \u2192 0; any small bead in the realization.<\/figcaption><\/figure>\n\n\n\n

III. The materialization.<\/p>\n\n\n\n

\"\"
fig.8.0. a neuro-process in the brain and the faith a kid of Adam has will support; [time, future time]interval.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.8.1. from fig.6.2’s scheme, since fig.7.0’s scheme.<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

(C) Copyright 2023 Kyo Nissho (Kiyom Nishio). All rights reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"

I. The lives, the context. fig.1:Platon and Aristoteles are walking. fig.2:The Wedding at Cana: Water Turned into Wine. Music is ordinally composed in time, although different way is tried in poly-symphony if likened, for example, I wrote about Brahms and Sch\u00f6nberg, also about Bill Evans in Jazz.But paintings composed arisings as art beyond time from […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"pagelayer_contact_templates":[],"_pagelayer_content":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[3,4,5],"tags":[],"class_list":["post-3571","post","type-post","status-publish","format-standard","hentry","category-power-structured-to-revive","category-record","category-study"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/3571","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/comments?post=3571"}],"version-history":[{"count":5,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/3571\/revisions"}],"predecessor-version":[{"id":4232,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/3571\/revisions\/4232"}],"wp:attachment":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/media?parent=3571"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/categories?post=3571"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/tags?post=3571"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}