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For David Instrument.<\/p>\n\n\n\n
Update:<\/p>\n\n\n\n
(1)<\/p>\n\n\n\n
the link of mathematical space: (2)<\/p>\n\n\n\n In case of fig.5, the initial magic symbols, which are {\u25cf<\/mark>\u21e6, \u25cf<\/mark>\u21e6}fig.3, {\u25cf<\/mark>\u21e6, \u25cf<\/mark>\u21e6}fig.2, and {\u25cf<\/mark>\u21e6}fig.3, exist with sound\/music’s accelerations. No.2438. A virtual fieldwork in St. Francis\u2019 Folly of Tomb Raiders. With comparison of the original first scheme method and the newly generated first scheme method of no.2437. law 1: Then any bead, which is an algebra of reason intuition, is put r\u21e6 in sound\/music’s acceleration.<\/p>\n\n\n\n URL:<\/p>\n\n\n\n
The new music theory, as music and mathematics are common denominator, of the novel Glass Bead Game.
The new music theory, as music and mathematics are common denominator, of the novel Glass Bead Game. \u2013 Kyo\u2019s Blog (kyonissho.com)<\/a><\/p>\n\n\n\n
Below law 1 has been explained in the article<\/p>\n\n\n\n
No.2438. A virtual fieldwork in St. Francis\u2019 Folly of Tomb Raiders. With comparison of the original first scheme method and the newly generated first scheme method of no.2437. \u2013 Kyo\u2019s Blog (kyonissho.com)<\/a><\/p>\n\n\n\n
{r\u21e6, }scheme | \u21e6; x<\/p>\n\n\n\n