{"id":3528,"date":"2023-06-30T22:10:53","date_gmt":"2023-06-30T22:10:53","guid":{"rendered":"https:\/\/kyonissho.com\/kyos-blog\/?p=3528"},"modified":"2023-07-01T12:47:00","modified_gmt":"2023-07-01T12:47:00","slug":"for-david-instrument","status":"publish","type":"post","link":"https:\/\/kyonissho.com\/kyos-blog\/blog\/2023\/06\/30\/for-david-instrument\/","title":{"rendered":"For David Instrument."},"content":{"rendered":"\n
\"\"
fig.1.0. the beads definition (1).<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.1.1. the beads definition (2).<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.2. a setting of the small keyboard for left hand.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.3. a setting of the 88 keys keyboard.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.4.<\/figcaption><\/figure>\n\n\n\n

Sounds are derived into mathematical space, for any comparison from space to space, \u21e6 means {the reflexive of generation; any first scheme method}.<\/p>\n\n\n\n

the link of mathematical space:
The new music theory, as music and mathematics are common denominator, of the novel Glass Bead Game.
The new music theory, as music and mathematics are common denominator, of the novel Glass Bead Game. \u2013 Kyo\u2019s Blog (kyonissho.com)<\/a><\/p>\n\n\n\n

fig.4:
the beads on the keyboards,
(1) the waveform conversion from {\u25cf<\/mark>\u21e6<\/mark>, \u25cf<\/mark>\u21e6}fig.3 for the left hand to {\u25cf<\/mark>\u21e6<\/mark>, \u25cf<\/mark>\u21e6}fig.2 for the left hand, i.e. I switched the instruments for the left hand,
(2) {\u25cf<\/mark>\u21e6}fig.3 for the right hand.<\/p>\n\n\n\n

\"\"
fig.5. bead\u21e6reflexive of fig.4; the initial magic symbol<\/figcaption><\/figure>\n\n\n\n

fig.5:
the upper right side of the second set’s big yellow and the upper right side of the third set’s small red belong the initial second scheme method.<\/p>\n\n\n\n

In case of fig.5, the initial magic symbols, which are {\u25cf<\/mark>\u21e6 , \u25cf<\/mark>\u21e6}fig.3, {\u25cf<\/mark>\u21e6, \u25cf<\/mark>\u21e6}fig.2, and {\u25cf<\/mark>\u21e6}fig.3, exist with sound\/music’s accelerations.
Below law 1 has been explained in the article<\/p>\n\n\n\n

No.2438. A virtual fieldwork in St. Francis\u2019 Folly of Tomb Raiders. With comparison of the original first scheme method and the newly generated first scheme method of no.2437.
No.2438. A virtual fieldwork in St. Francis\u2019 Folly of Tomb Raiders. With comparison of the original first scheme method and the newly generated first scheme method of no.2437. \u2013 Kyo\u2019s Blog (kyonissho.com)<\/a><\/p>\n\n\n\n

law 1:
{r\u21e6, }scheme | \u21e6; x<\/p>\n\n\n\n

Then any bead, which is an algebra of reason intuition, is put r\u21e6 in sound\/music’s acceleration.<\/p>\n\n\n\n

<\/p>\n\n\n\n

(C) Copyright 2023 Kyo Nissho (Kiyom Nishio). All rights reserved.<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Sounds are derived into mathematical space, for any comparison from space to space, \u21e6 means {the reflexive of generation; any first scheme method}. the link of mathematical space:The new music theory, as music and mathematics are common denominator, of the novel Glass Bead Game.The new music theory, as music and mathematics are common denominator, of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"pagelayer_contact_templates":[],"_pagelayer_content":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[3,4],"tags":[],"class_list":["post-3528","post","type-post","status-publish","format-standard","hentry","category-power-structured-to-revive","category-record"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/3528","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/comments?post=3528"}],"version-history":[{"count":4,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/3528\/revisions"}],"predecessor-version":[{"id":3549,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/3528\/revisions\/3549"}],"wp:attachment":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/media?parent=3528"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/categories?post=3528"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/tags?post=3528"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}