{"id":3311,"date":"2023-06-14T16:03:39","date_gmt":"2023-06-14T16:03:39","guid":{"rendered":"https:\/\/kyonissho.com\/kyos-blog\/?p=3311"},"modified":"2023-08-15T05:40:02","modified_gmt":"2023-08-15T05:40:02","slug":"the-new-music-theory-as-music-and-mathematics-are-common-denominator-of-the-novel-glass-bead-game","status":"publish","type":"post","link":"https:\/\/kyonissho.com\/kyos-blog\/blog\/2023\/06\/14\/the-new-music-theory-as-music-and-mathematics-are-common-denominator-of-the-novel-glass-bead-game\/","title":{"rendered":"The new music theory, as music and mathematics are common denominator, of the novel Glass Bead Game."},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"773\" src=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/37821138-CA1B-4730-957F-A003FCFF0D7B.jpeg?resize=580%2C773&#038;ssl=1\" alt=\"\" class=\"wp-image-3312\" srcset=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/37821138-CA1B-4730-957F-A003FCFF0D7B-rotated.jpeg?resize=768%2C1024&amp;ssl=1 768w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/37821138-CA1B-4730-957F-A003FCFF0D7B-rotated.jpeg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/37821138-CA1B-4730-957F-A003FCFF0D7B-rotated.jpeg?w=960&amp;ssl=1 960w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><figcaption class=\"wp-element-caption\">fig.1. Brahms Symphony Nr.4.<\/figcaption><\/figure>\n\n\n\n<p>fig.1:<br>A greatest material.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"435\" src=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/0D8E2273-B737-420A-8D6C-2880170C323D.jpeg?resize=580%2C435&#038;ssl=1\" alt=\"\" class=\"wp-image-3179\" srcset=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/0D8E2273-B737-420A-8D6C-2880170C323D.jpeg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/0D8E2273-B737-420A-8D6C-2880170C323D.jpeg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/0D8E2273-B737-420A-8D6C-2880170C323D.jpeg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/0D8E2273-B737-420A-8D6C-2880170C323D.jpeg?resize=1536%2C1152&amp;ssl=1 1536w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/0D8E2273-B737-420A-8D6C-2880170C323D.jpeg?resize=1200%2C900&amp;ssl=1 1200w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/0D8E2273-B737-420A-8D6C-2880170C323D.jpeg?resize=1980%2C1485&amp;ssl=1 1980w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/0D8E2273-B737-420A-8D6C-2880170C323D.jpeg?w=2016&amp;ssl=1 2016w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/0D8E2273-B737-420A-8D6C-2880170C323D.jpeg?w=1740&amp;ssl=1 1740w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><figcaption class=\"wp-element-caption\">fig.2. sounds have forms in time, [0, 0]time_accord_interval.<\/figcaption><\/figure>\n\n\n\n<p>fig.2:<br>A sound experience distributes, it is <strong>to<\/strong> past and <strong>to<\/strong> future, from a [0, 0]time_accord_interval.<br>As for imagination, for example, I draw the to-past and the to-future meets in the dark blue in fig.3, as the time-distributed experience meets.<\/p>\n\n\n\n<p>See also:<br>Practice for [0, 0]time_accord_interval to synthesize of dimensions.<br><a href=\"https:\/\/kyonissho.com\/kyos-blog\/blog\/2023\/06\/04\/practice-for-0-0time_accord_interval-to-synthesize-of-dimensions\/\">https:\/\/kyonissho.com\/kyos-blog\/blog\/2023\/06\/04\/practice-for-0-0time_accord_interval-to-synthesize-of-dimensions\/<\/a><\/p>\n\n\n\n<p>And when the time accord is observed on a meet of two tops of sound, it is the black point in the fig.3.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/8E4D3953-D99E-4182-B720-759378197425.png?resize=580%2C1029&#038;ssl=1\" alt=\"\" class=\"wp-image-3317\" width=\"580\" height=\"1029\" srcset=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/8E4D3953-D99E-4182-B720-759378197425.png?resize=577%2C1024&amp;ssl=1 577w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/8E4D3953-D99E-4182-B720-759378197425.png?resize=169%2C300&amp;ssl=1 169w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/8E4D3953-D99E-4182-B720-759378197425.png?w=640&amp;ssl=1 640w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><figcaption class=\"wp-element-caption\">fig.3. as time flows from left to right, and as musical experiences are synthesized in a depth over the time. this figure is generated by Quick Graph+.<\/figcaption><\/figure>\n\n\n\n<p>fig.3:<br>In the temperament, when Cn\u2019s frequency is 1, Cn# is 1x(2^(1\/12)), Dn is 1x(2^(1\/12))^2, Dn# is 1x(2^(1\/12))^3, \u2026 , Bn is 1x(2^(1\/12))^11, the next is Cn+1 ((1&#215;2^(1\/12))^12 = 2xCn). I.e. each key pitch on a musical keyboard is 2^(1\/12) from the previous frequency, these can be drawn mathematically. E.g. the two frequencies are the orange and the red in fig.2.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/C8BFB671-FC66-48BF-B1E7-4E3B42EAC98A.png?resize=580%2C1030&#038;ssl=1\" alt=\"\" class=\"wp-image-3327\" width=\"580\" height=\"1030\" srcset=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/C8BFB671-FC66-48BF-B1E7-4E3B42EAC98A.png?resize=577%2C1024&amp;ssl=1 577w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/C8BFB671-FC66-48BF-B1E7-4E3B42EAC98A.png?resize=169%2C300&amp;ssl=1 169w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/C8BFB671-FC66-48BF-B1E7-4E3B42EAC98A.png?w=640&amp;ssl=1 640w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><figcaption class=\"wp-element-caption\">fig.3.1. with potential [0, 0]time_accord_interval in light green.<\/figcaption><\/figure>\n\n\n\n<p>fig.3.1:<br>Fig.3.1 is shown in order to observe how the new time accord will emerge, but there is no orange. frequency.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/A47CE4FB-D94D-46C4-855B-54D111A82DF7.png?resize=580%2C1029&#038;ssl=1\" alt=\"\" class=\"wp-image-3328\" width=\"580\" height=\"1029\" srcset=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/A47CE4FB-D94D-46C4-855B-54D111A82DF7.png?resize=577%2C1024&amp;ssl=1 577w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/A47CE4FB-D94D-46C4-855B-54D111A82DF7.png?resize=169%2C300&amp;ssl=1 169w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/A47CE4FB-D94D-46C4-855B-54D111A82DF7.png?w=640&amp;ssl=1 640w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><figcaption class=\"wp-element-caption\">fig.3.2. in order to observe the new [0, 0]time_accord_interval, the two frequencies are put to make an area, i.e. frequency_1 x frequency_2 = the area.<\/figcaption><\/figure>\n\n\n\n<p>fig.3.2:<br>The new [0, 0]time_accord_interval is found on crossing frequencies of the red and the orange.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/4803E561-E476-42AE-B908-B671A756943D.jpeg?resize=580%2C774&#038;ssl=1\" alt=\"\" class=\"wp-image-3329\" width=\"580\" height=\"774\" srcset=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/4803E561-E476-42AE-B908-B671A756943D-rotated.jpeg?resize=768%2C1024&amp;ssl=1 768w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/4803E561-E476-42AE-B908-B671A756943D-rotated.jpeg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/4803E561-E476-42AE-B908-B671A756943D-rotated.jpeg?resize=1152%2C1536&amp;ssl=1 1152w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/4803E561-E476-42AE-B908-B671A756943D-rotated.jpeg?resize=1200%2C1600&amp;ssl=1 1200w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/4803E561-E476-42AE-B908-B671A756943D-rotated.jpeg?w=1512&amp;ssl=1 1512w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><figcaption class=\"wp-element-caption\">fig.3.3. dk is the kinetic time difference, so-called time in where we experienced. dp is the potential time. difference in where we imagine\/create any arising to live.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"773\" src=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/6D11950A-A102-4EF6-8EDC-427D84AEE54D.jpeg?resize=580%2C773&#038;ssl=1\" alt=\"\" class=\"wp-image-3366\" srcset=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/6D11950A-A102-4EF6-8EDC-427D84AEE54D-rotated.jpeg?resize=768%2C1024&amp;ssl=1 768w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/6D11950A-A102-4EF6-8EDC-427D84AEE54D-rotated.jpeg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/6D11950A-A102-4EF6-8EDC-427D84AEE54D-rotated.jpeg?resize=1152%2C1536&amp;ssl=1 1152w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/6D11950A-A102-4EF6-8EDC-427D84AEE54D-rotated.jpeg?resize=1200%2C1600&amp;ssl=1 1200w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/6D11950A-A102-4EF6-8EDC-427D84AEE54D-rotated.jpeg?w=1512&amp;ssl=1 1512w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><figcaption class=\"wp-element-caption\">fig.3.4. common multiple and fundamental difference of sound spins.<\/figcaption><\/figure>\n\n\n\n<p>fig.3.4: [0, 0]time_accord_interval is applied to {8, 13}wavelength_set, | | of fundamental difference is found between {8, 13}wavelength_set and {13, 17}wavelength_set.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"435\" src=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/81760D30-F2FA-4319-A262-56A14DD1B6FC.jpeg?resize=580%2C435&#038;ssl=1\" alt=\"\" class=\"wp-image-3359\" srcset=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/81760D30-F2FA-4319-A262-56A14DD1B6FC.jpeg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/81760D30-F2FA-4319-A262-56A14DD1B6FC.jpeg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/81760D30-F2FA-4319-A262-56A14DD1B6FC.jpeg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/81760D30-F2FA-4319-A262-56A14DD1B6FC.jpeg?resize=1536%2C1152&amp;ssl=1 1536w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/81760D30-F2FA-4319-A262-56A14DD1B6FC.jpeg?resize=1200%2C900&amp;ssl=1 1200w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/81760D30-F2FA-4319-A262-56A14DD1B6FC.jpeg?resize=1980%2C1485&amp;ssl=1 1980w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/81760D30-F2FA-4319-A262-56A14DD1B6FC.jpeg?w=2016&amp;ssl=1 2016w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/81760D30-F2FA-4319-A262-56A14DD1B6FC.jpeg?w=1740&amp;ssl=1 1740w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><figcaption class=\"wp-element-caption\">fig.3.5. spin matrix in case of two dimensions.<\/figcaption><\/figure>\n\n\n\n<p>Naturally, the scheme methods of the Glass Bead Game are applied to any [0, 0]time_accord_interval.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"435\" src=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/D0A423B6-80A5-472E-A2F6-C46719EDBC81.jpeg?resize=580%2C435&#038;ssl=1\" alt=\"\" class=\"wp-image-3319\" srcset=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/D0A423B6-80A5-472E-A2F6-C46719EDBC81.jpeg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/D0A423B6-80A5-472E-A2F6-C46719EDBC81.jpeg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/D0A423B6-80A5-472E-A2F6-C46719EDBC81.jpeg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/D0A423B6-80A5-472E-A2F6-C46719EDBC81.jpeg?resize=1536%2C1152&amp;ssl=1 1536w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/D0A423B6-80A5-472E-A2F6-C46719EDBC81.jpeg?resize=1200%2C900&amp;ssl=1 1200w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/D0A423B6-80A5-472E-A2F6-C46719EDBC81.jpeg?resize=1980%2C1485&amp;ssl=1 1980w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/D0A423B6-80A5-472E-A2F6-C46719EDBC81.jpeg?w=2016&amp;ssl=1 2016w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/D0A423B6-80A5-472E-A2F6-C46719EDBC81.jpeg?w=1740&amp;ssl=1 1740w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><figcaption class=\"wp-element-caption\">fig.4. of fig.1, my right hand: Fl\u00f6ten, my left hand: Violoncell and Bratsche.<\/figcaption><\/figure>\n\n\n\n<p>I enjoyed it for 40 minutes today, with Piano sound, and with a synthesizer sound of Animoog Z with below setting.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"327\" src=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/A86E4F2C-EFD1-4F6D-B133-927F451CABE7.png?resize=580%2C327&#038;ssl=1\" alt=\"\" class=\"wp-image-3321\" srcset=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/A86E4F2C-EFD1-4F6D-B133-927F451CABE7.png?resize=1024%2C577&amp;ssl=1 1024w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/A86E4F2C-EFD1-4F6D-B133-927F451CABE7.png?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/A86E4F2C-EFD1-4F6D-B133-927F451CABE7.png?resize=768%2C433&amp;ssl=1 768w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/A86E4F2C-EFD1-4F6D-B133-927F451CABE7.png?w=1136&amp;ssl=1 1136w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><figcaption class=\"wp-element-caption\">fig.5. in Animoog Z for iPhone connected with a physical keyboard with MIDI.<\/figcaption><\/figure>\n\n\n\n<p>I thought Brahms Symphony Nr.4 has been made with two different potential symphonies, but I think it is with one more at least, i.e. it is the three dimensional symphony.<\/p>\n\n\n\n<p>I haven\u2019t seen Sch\u00f6nberg\u2019s score yet, but I think it has might be made from five potential symphonies to one symphony, i.e. it is the five dimensional symphony.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"435\" src=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/1AEE549B-58C6-4AF5-8D69-B498E595284C.jpeg?resize=580%2C435&#038;ssl=1\" alt=\"\" class=\"wp-image-3480\" srcset=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/1AEE549B-58C6-4AF5-8D69-B498E595284C.jpeg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/1AEE549B-58C6-4AF5-8D69-B498E595284C.jpeg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/1AEE549B-58C6-4AF5-8D69-B498E595284C.jpeg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/1AEE549B-58C6-4AF5-8D69-B498E595284C.jpeg?resize=1536%2C1152&amp;ssl=1 1536w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/1AEE549B-58C6-4AF5-8D69-B498E595284C.jpeg?resize=1200%2C900&amp;ssl=1 1200w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/1AEE549B-58C6-4AF5-8D69-B498E595284C.jpeg?resize=1980%2C1485&amp;ssl=1 1980w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/1AEE549B-58C6-4AF5-8D69-B498E595284C.jpeg?w=2016&amp;ssl=1 2016w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/1AEE549B-58C6-4AF5-8D69-B498E595284C.jpeg?w=1740&amp;ssl=1 1740w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><figcaption class=\"wp-element-caption\">fig.6.<\/figcaption><\/figure>\n\n\n\n<p>A next higher sound isn\u2019t a higher velocity, but an acceleration, i.e. (2^(1\/12))^n is the nth acceleration of dimensions.<\/p>\n\n\n\n<p>fig.6:<br>I\u2019ve put the beads on the accelerations I felt as characteristics in the score.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"435\" src=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/E38876A3-91AB-417E-8859-52A951E28D41.jpeg?resize=580%2C435&#038;ssl=1\" alt=\"\" class=\"wp-image-3483\" srcset=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/E38876A3-91AB-417E-8859-52A951E28D41.jpeg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/E38876A3-91AB-417E-8859-52A951E28D41.jpeg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/E38876A3-91AB-417E-8859-52A951E28D41.jpeg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/E38876A3-91AB-417E-8859-52A951E28D41.jpeg?resize=1536%2C1152&amp;ssl=1 1536w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/E38876A3-91AB-417E-8859-52A951E28D41.jpeg?resize=1200%2C900&amp;ssl=1 1200w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/E38876A3-91AB-417E-8859-52A951E28D41.jpeg?resize=1980%2C1485&amp;ssl=1 1980w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/E38876A3-91AB-417E-8859-52A951E28D41.jpeg?w=2016&amp;ssl=1 2016w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/E38876A3-91AB-417E-8859-52A951E28D41.jpeg?w=1740&amp;ssl=1 1740w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><figcaption class=\"wp-element-caption\">fig.7.<\/figcaption><\/figure>\n\n\n\n<p>Higher velocity of the spins dominates smaller space of the wavelength, it becomes \u00d7 1\/((2^(1\/12))^n); caught in time, as human space.<\/p>\n\n\n\n<p>fig.7:<br>In case of C3 and C6, C6 isn\u2019t C3 \u00d7 3, but C3 \u00d7 (2^(12\/12))^3 = C3 x 8.<br>When the frequency changes from C3 to C6, the space where C3 had is released as room where can be used imagination. When it changes from C6 to C3, a ubiquitous measurement of sound is given to all the previously released space, and can be used to confidence. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"435\" src=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/955764AA-DF07-40A4-ADB1-EBC81C4CDC4F-1024x768.jpeg?resize=580%2C435&#038;ssl=1\" alt=\"\" class=\"wp-image-3482\" srcset=\"https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/955764AA-DF07-40A4-ADB1-EBC81C4CDC4F.jpeg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/955764AA-DF07-40A4-ADB1-EBC81C4CDC4F.jpeg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/955764AA-DF07-40A4-ADB1-EBC81C4CDC4F.jpeg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/955764AA-DF07-40A4-ADB1-EBC81C4CDC4F.jpeg?resize=1536%2C1152&amp;ssl=1 1536w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/955764AA-DF07-40A4-ADB1-EBC81C4CDC4F.jpeg?resize=1200%2C900&amp;ssl=1 1200w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/955764AA-DF07-40A4-ADB1-EBC81C4CDC4F.jpeg?resize=1980%2C1485&amp;ssl=1 1980w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/955764AA-DF07-40A4-ADB1-EBC81C4CDC4F.jpeg?w=2016&amp;ssl=1 2016w, https:\/\/i0.wp.com\/kyonissho.com\/kyos-blog\/wp-content\/uploads\/2023\/06\/955764AA-DF07-40A4-ADB1-EBC81C4CDC4F.jpeg?w=1740&amp;ssl=1 1740w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><figcaption class=\"wp-element-caption\">fig.8.<\/figcaption><\/figure>\n\n\n\n<p>fig.8:<br>any bead and any sound space.<\/p>\n\n\n\n<p>Link:<\/p>\n\n\n\n<p>The new music theory, as music and mathematics are common denominator, of the novel Glass Bead Game (2)<br><a href=\"https:\/\/kyonissho.com\/kyos-blog\/blog\/2023\/07\/17\/the-new-music-theory-as-music-and-mathematics-are-common-denominator-of-the-novel-glass-bead-game-2\/\">The new music theory, as music and mathematics are common denominator, of the novel Glass Bead Game (2) \u2013 Kyo\u2019s Blog (kyonissho.com)<\/a><\/p>\n\n\n\n<p>The new music theory, as music and mathematics are common denominator, of the novel Glass Bead Game (3)<br><a href=\"https:\/\/kyonissho.com\/kyos-blog\/blog\/2023\/08\/15\/the-new-music-theory-as-music-and-mathematics-are-common-denominator-of-the-novel-glass-bead-game-3\/\">The new music theory, as music and mathematics are common denominator, of the novel Glass Bead Game (3) \u2013 Kyo\u2019s Blog (kyonissho.com)<\/a><\/p>\n\n\n\n<p>(C) Copyright 2023 Kyo Nissho (Kiyom Nishio). All rights reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>fig.1:A greatest material. fig.2:A sound experience distributes, it is to past and to future, from a [0, 0]time_accord_interval.As for imagination, for example, I draw the to-past and the to-future meets in the dark blue in fig.3, as the time-distributed experience meets. See also:Practice for [0, 0]time_accord_interval to synthesize of dimensions.https:\/\/kyonissho.com\/kyos-blog\/blog\/2023\/06\/04\/practice-for-0-0time_accord_interval-to-synthesize-of-dimensions\/ And when the time accord [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"pagelayer_contact_templates":[],"_pagelayer_content":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[3,4,5],"tags":[],"class_list":["post-3311","post","type-post","status-publish","format-standard","hentry","category-power-structured-to-revive","category-record","category-study"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/3311","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/comments?post=3311"}],"version-history":[{"count":5,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/3311\/revisions"}],"predecessor-version":[{"id":4073,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/3311\/revisions\/4073"}],"wp:attachment":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/media?parent=3311"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/categories?post=3311"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/tags?post=3311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}