{"id":3108,"date":"2023-05-28T01:50:43","date_gmt":"2023-05-28T01:50:43","guid":{"rendered":"https:\/\/kyonissho.com\/kyos-blog\/?p=3108"},"modified":"2024-06-09T07:02:44","modified_gmt":"2024-06-09T07:02:44","slug":"the-bill-evans-trio-as-practicing-the-second-scheme-method-and-the-music-theory-for-david-instrument","status":"publish","type":"post","link":"https:\/\/kyonissho.com\/kyos-blog\/blog\/2023\/05\/28\/the-bill-evans-trio-as-practicing-the-second-scheme-method-and-the-music-theory-for-david-instrument\/","title":{"rendered":"The Bill Evans Trio as practicing the Second Scheme Method and the Music Theory for David Instrument."},"content":{"rendered":"\n
\"\"
fig.1.<\/figcaption><\/figure>\n\n\n\n
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fig.2. I played some parts of this page.<\/figcaption><\/figure>\n\n\n\n
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fig.3. an analog synthesizer was connected in this setting.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.4. the red spin (red wave) is z=mod(r,x)+5, +5 is just to look easily, meaningless as the spin. the green spin (green wave) is z=3\u22c5mod(tan(x),sin(y))-5, 3x and -5 are to look, meaningless as the spin. this figure has been generated by Quick Graph+.<\/figcaption><\/figure>\n\n\n\n

The algebras are applied this time. The green is regarded the score, the red is a synthesis space. The green\u2019s spin tops (spin 0s) derive any skip in nature as the red, and the red 0s are the sound metaphor. The nature is shown in the red spin, \u2192 the red 0s.<\/p>\n\n\n\n

\"\"
fig.5. fig.9\u2019s (1)<\/figcaption><\/figure>\n\n\n\n
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fig.6. fig.9\u2019s (2)<\/figcaption><\/figure>\n\n\n\n
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fig.7. fig.9\u2019s (3)<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.8. fig.9\u2019s (4).<\/figcaption><\/figure>\n\n\n\n
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fig.9.<\/figcaption><\/figure>\n\n\n\n
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fig.10. applied in the first scheme method of released items.<\/figcaption><\/figure>\n\n\n\n
\"\"
fig.11.0. what beads mean (1).<\/figcaption><\/figure>\n\n\n\n

fig.11.0:
The blue is e.g. principle.
The red is e.g. life.
The green is e.g. path.<\/p>\n\n\n\n

\"\"
fig.11.1. what beads mean (2).<\/figcaption><\/figure>\n\n\n\n

fig.11.1:
The yellow and the water-blue are e.g. coordinates making.<\/p>\n\n\n\n

See also
No.2027. And the Initial Second Scheme Method from 2013 to 2016, for Music.
https:\/\/kyonissho.com\/kyos-blog\/blog\/2023\/05\/22\/no-2027-and-the-initial-second-scheme-method-from-2013-to-2016-for-music\/<\/a><\/p>\n\n\n\n

(C) Copyright 2023 Kyo Nissho (Kiyom Nishio). All rights reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"

The algebras are applied this time. The green is regarded the score, the red is a synthesis space. The green\u2019s spin tops (spin 0s) derive any skip in nature as the red, and the red 0s are the sound metaphor. The nature is shown in the red spin, \u2192 the red 0s. fig.11.0:The blue is […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"pagelayer_contact_templates":[],"_pagelayer_content":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[3,4,5],"tags":[],"class_list":["post-3108","post","type-post","status-publish","format-standard","hentry","category-power-structured-to-revive","category-record","category-study"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/3108","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/comments?post=3108"}],"version-history":[{"count":5,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/3108\/revisions"}],"predecessor-version":[{"id":6267,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/3108\/revisions\/6267"}],"wp:attachment":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/media?parent=3108"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/categories?post=3108"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/tags?post=3108"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}