{"id":2198,"date":"2023-01-10T04:26:01","date_gmt":"2023-01-10T04:26:01","guid":{"rendered":"https:\/\/kyonissho.com\/kyos-blog\/?p=2198"},"modified":"2023-03-13T16:15:37","modified_gmt":"2023-03-13T16:15:37","slug":"practicing-the-first-scheme-method-for-music","status":"publish","type":"post","link":"https:\/\/kyonissho.com\/kyos-blog\/blog\/2023\/01\/10\/practicing-the-first-scheme-method-for-music\/","title":{"rendered":"Practicing the first scheme method for music."},"content":{"rendered":"\n

I. An approach with the Klarinetten in B and the Violoncello.<\/p>\n\n\n\n

\"\"
fig.1.<\/figcaption><\/figure>\n\n\n\n

Brahms Symphony number 1 C minor, glass beads observing in calm frequency.<\/p>\n\n\n\n

\"\"
fig.2.<\/figcaption><\/figure>\n\n\n\n

(1)
Both hands sound in {1\/16, 1\/32}time_length_set, but right hand is {1\/8, 1\/16}, after it, a calm point arises when released from Gestalt misunderstanding of time.<\/p>\n\n\n\n

(2)
Reflexive to (1):
no expression as beginning as free spirit \u2192<\/mark> {1\/16, 1\/32} and {1\/8, 1\/16} are a structure deriving. Then
\u2192<\/mark> means any free structuring in {time length, frequency, waveform, sound volume} of existing.<\/p>\n\n\n\n

(3)
All languages have a pronunciation as a symbol to insight meaning. And
(2) has greater space-time as released from any language symbol.<\/p>\n\n\n\n

<\/p>\n\n\n\n

II. Another approach with the Viola and the H\u00f6rner in Es.<\/p>\n\n\n\n

\"\"
fig.3.<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

(C) Copyright 2023 Kyo Nissho (Kiyom Nishio). All rights reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"

I. An approach with the Klarinetten in B and the Violoncello. Brahms Symphony number 1 C minor, glass beads observing in calm frequency. (1)Both hands sound in {1\/16, 1\/32}time_length_set, but right hand is {1\/8, 1\/16}, after it, a calm point arises when released from Gestalt misunderstanding of time. (2)Reflexive to (1):no expression as beginning as […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"pagelayer_contact_templates":[],"_pagelayer_content":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[3,5],"tags":[],"class_list":["post-2198","post","type-post","status-publish","format-standard","hentry","category-power-structured-to-revive","category-study"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/2198","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/comments?post=2198"}],"version-history":[{"count":4,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/2198\/revisions"}],"predecessor-version":[{"id":2497,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/posts\/2198\/revisions\/2497"}],"wp:attachment":[{"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/media?parent=2198"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/categories?post=2198"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kyonissho.com\/kyos-blog\/wp-json\/wp\/v2\/tags?post=2198"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}