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June 22nd update
By Kyo Nissho | | 0 Comments |
Article: No.2436. A virtual field work, Tomb of Qualopec of
No.2436. A virtual fieldwork, Tomb of Qualopec of Tomb Raiders.
By Kyo Nissho | | 0 Comments |
I decide to seek behind any symbol. In the Glass
No.2435. Tomb Raiders as a virtual field work for the Glass Bead Game (the Abraham language, the perfect language).
By Kyo Nissho | | 0 Comments |
Stage 2, City of Vilcabamba: Mathematics and Music have the
The new music theory, as music and mathematics are common denominator, of the novel Glass Bead Game.
By Kyo Nissho | | 0 Comments |
fig.1:A greatest material. fig.2:A sound experience distributes, it is to
Divergence, Convergence, Sublation.
By Kyo Nissho | | 0 Comments |
Same phases are used to I and II, i.e. I-(1)
No.2433. A virtual fieldwork. Tomb Raiders, Peru section, Inca empire.
By Kyo Nissho | | 0 Comments |
fig.1, ref.:No.2431. A virtual fieldwork in Peru section of Tomb
No.2432. Next virtual fieldwork in Peru section of Tomb Raiders, with the newly generated first scheme method.
By Kyo Nissho | | 0 Comments |
In the previous work, I made the newly generated first
No.2431. A virtual fieldwork in Peru section of Tomb Raiders.
By Kyo Nissho | | 0 Comments |
I’m playing Tomb Raiders again, it is for a virtual
Practice for [0, 0]time_accord_interval to synthesize of dimensions.
By Kyo Nissho | | 0 Comments |
I searched [0, 0]time_interval of a time accord in Brahms
No.2430. As for Gaming, Creating a new Monster (2).
By Kyo Nissho | | 0 Comments |
Creating a new monster, as private fun, as for a
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