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; power structured to revive
No.2439. Paintings beyond Time, Poly-symphony, now no limitation ⊃ {number, space, category, …}synthesis_set.
By
Kyo Nissho
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2
Jul, 23
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0 Comments
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I. The lives, the context. fig.1:Platon and Aristoteles are walking.…
For David Instrument.
By
Kyo Nissho
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30
Jun, 23
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0 Comments
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Sounds are derived into mathematical space, for any comparison from…
No.2438. A virtual fieldwork in St. Francis’ Folly of Tomb Raiders. With comparison of the original first scheme method and the newly generated first scheme method of no.2437.
By
Kyo Nissho
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24
Jun, 23
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0 Comments
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For comparison, I apply 1+1+2 to the original first scheme…
The newly generated first scheme method inspired of any behind symbol. For no.2437, a virtual fieldwork.
By
Kyo Nissho
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22
Jun, 23
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0 Comments
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the link of fig.1. fig.1.1. what does “a newly generated…
June 22nd update
By
Kyo Nissho
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22
Jun, 23
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0 Comments
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Article: No.2436. A virtual field work, Tomb of Qualopec of…
No.2436. A virtual fieldwork, Tomb of Qualopec of Tomb Raiders.
By
Kyo Nissho
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21
Jun, 23
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0 Comments
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I decide to seek behind any symbol. In the Glass…
No.2435. Tomb Raiders as a virtual field work for the Glass Bead Game (the Abraham language, the perfect language).
By
Kyo Nissho
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16
Jun, 23
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0 Comments
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Stage 2, City of Vilcabamba: Mathematics and Music have the…
The new music theory, as music and mathematics are common denominator, of the novel Glass Bead Game.
By
Kyo Nissho
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14
Jun, 23
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0 Comments
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fig.1:A greatest material. fig.2:A sound experience distributes, it is to…
Divergence, Convergence, Sublation.
By
Kyo Nissho
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11
Jun, 23
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0 Comments
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Same phases are used to I and II, i.e. I-(1)…
No.2433. A virtual fieldwork. Tomb Raiders, Peru section, Inca empire.
By
Kyo Nissho
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10
Jun, 23
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0 Comments
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fig.1, ref.:No.2431. A virtual fieldwork in Peru section of Tomb…
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