Article:
The new music theory, as music and mathematics are common denominator, of the novel Glass Bead Game.
Update:
A next higher sound isn’t a higher velocity, but an acceleration, i.e. (2^(1/12)^n is the nth acceleration of dimensions.
fig.6:
I’ve put the beads on the accelerations I felt as characteristics in the score.
Higher velocity of the spins dominates smaller space of the wavelength, it becomes × 1/((2^(1/12))n); caught in time, as human space.
fig.7:
In case of C3 and C6, C6 isn’t C3 × 3, but C3 × (2^(12/12))^3 = C3 x 8.
When the frequency changes from C3 to C6, the space where C3 had is released as room where can be used imagination. When it changes from C6 to C3, a ubiquitous measurement of sound is given to all the previously released space, and can be used to confidence.
fig.8:
any bead and any sound space.
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