I. An approach with the Klarinetten in B and the Violoncello.

Brahms Symphony number 1 C minor, glass beads observing in calm frequency.

(1)
Both hands sound in {1/16, 1/32}time_length_set, but right hand is {1/8, 1/16}, after it, a calm point arises when released from Gestalt misunderstanding of time.

(2)
Reflexive to (1):
no expression as beginning as free spirit → {1/16, 1/32} and {1/8, 1/16} are a structure deriving. Then
→ means any free structuring in {time length, frequency, waveform, sound volume} of existing.

(3)
All languages have a pronunciation as a symbol to insight meaning. And
(2) has greater space-time as released from any language symbol.

II. Another approach with the Viola and the Hörner in Es.

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